At 54, Kirk Franklin FINALLY admits what we’ve all suspected all along, apologizes for deceiving everyone for so long… | HO
“I’ve spent most of my career dancing and moving around and jumping on stage that, I didn’t know that I would ever do anything that would ever offend anyone in any community, but it did. And since it did, I genuinely apologize.”
He continued, “I sincerely apologize because I never want to get to a place that I can’t learn,” adding, “It doesn’t matter what my goal and intent is, if I’m louder than the message of Jesus, then I failed.”
Kirk Franklin, a name synonymous with gospel music innovation, has spent decades bridging the gap between faith and mainstream culture. However, as he reflects on a turbulent 2024, he acknowledges the controversies that have surrounded his performances, collaborations, and personal choices. In a recent video posted on YouTube, the 54-year-old gospel legend addressed his critics with humility, issuing heartfelt apologies and reaffirming his mission to spread the gospel beyond the confines of traditional church spaces.
The Jamaica Controversy: A Lesson in Humility
One of the most talked-about moments of Franklin’s 2024 journey was his performance at Jamaica’s Fun in the Sun festival. Appearing in a gray tank top and white shorts, Franklin’s attire drew backlash from members of the Christian community who felt it was inappropriate for a gospel artist. In his YouTube reflection, Franklin expressed his remorse:
“I am aware now that my choice of attire, which as a team we thought was going to be fine given the outdoor setting, came across as disrespectful,” he said. “I never intended to offend anyone, but since I did, I genuinely apologize.”
He went on to emphasize his lifelong commitment to engaging audiences through energetic performances. “I have spent most of my career dancing, moving, and jumping on stage. I never imagined that my actions would offend, but they did, and for that, I sincerely apologize,” Franklin admitted.
The sponsor of the event, Jamaica Broilers Group, acknowledged Franklin’s apology but expressed disappointment. “We expected more from Mr. Franklin,” stated company president Christopher Levy. However, he also extended grace, affirming the organization’s support for Franklin’s continued spiritual journey.
Dancing on Stage: A Step Too Far?
Franklin’s Reunion Tour also came under scrutiny when a viral video captured him engaging in dance moves deemed inappropriate by some Christian viewers. One particular moment—where he playfully twerked with a fellow vocalist—sparked debate over whether Franklin was prioritizing entertainment over worship.
“I play too much,” Franklin admitted in his video reflection. “I have to study my actions because I now understand that they can be offensive to certain people.” He also took responsibility for encouraging fellow gospel singer Marvin Sapp to dance during a separate performance.
“That was my fault,” he confessed. “I urged him to dance, and he quickly obliged. I didn’t think it would be an issue, but I understand now.”
Despite the criticism, Franklin remains steadfast in his approach to gospel music. “God’s music should be able to stand in any space where people spend their money,” he argued. “I want my audience to feel like they had a great time while knowing that the gospel message remained intact.”
Pushing Boundaries: Collaborating with Secular Artists
Franklin has long embraced collaborations that challenge the boundaries of traditional gospel music. In 2024, his partnership with Memphis rapper GloRilla on the song Rain Down on Me caused a stir among fans who questioned whether such a union aligned with Christian values.
“There are always questions and controversy about me working with artists outside of the gospel ecosystem,” Franklin noted. “People wonder if their lyrics and lifestyles are conducive to Christian beliefs. But we cannot make judgments from a distance. We have to get close to people to understand their hearts.”
He defended his choice, asserting that his involvement in secular collaborations does not mean he is forsaking his faith. “When we are invited into their world, we must ensure that we don’t compromise our message,” he explained. “But we also need to engage with them so that they can absorb the residue of what we are trying to share.”
This approach has been a hallmark of Franklin’s career. His past collaborations with mainstream artists such as Kanye West (Ultralight Beam), Lil Baby (We Win), and Trip Lee (Mercy) have similarly drawn criticism but have also expanded gospel music’s reach to audiences who may never step foot inside a church.
The BET Awards & The Will Smith Connection
Another major talking point from 2024 was Franklin’s performance with Will Smith at the BET Awards. The duo joined forces to perform You Can Make It, alongside Chandler Moore and the Sunday Service Choir. The song, centered on redemption and perseverance, marked Smith’s musical return after a 19-year hiatus and his first major public appearance since his controversial 2022 Oscars incident.
While the performance was well-received by many, some questioned Franklin’s decision to align himself with Smith, given the latter’s troubled public image. Addressing the criticism, Franklin stood firm: “There was a lot of controversy about the Will Smith performance, but my goal has always been to bring the message of hope to people, no matter their past mistakes.”
Recognition Amid Criticism: The Black Music Icon Award
Despite the controversies, Franklin’s contributions to music and culture were acknowledged in a significant way. In early 2025, he was named the recipient of the Black Music Icon Award by the Black Music Collective. The prestigious honor recognizes Black artists and producers who have had a transformative impact on the music industry.
The organization announced the news via Instagram, stating: “A voice and artist that has touched countless hearts, we are pleased to recognize the gospel great with the Black Music Icon Award at our fourth annual Recording Academy Honors during Grammy Week 2025.”
Franklin, a 20-time Grammy-winning artist, has revolutionized gospel music by seamlessly blending it with R&B and hip-hop influences. His impact has been felt worldwide, uniting diverse audiences through a shared message of faith and resilience.
A Year of Reflection, Growth, and Moving Forward
As Franklin looks back on the highs and lows of 2024, one theme stands out: humility. His willingness to acknowledge mistakes, learn from criticism, and remain open to growth is rare in an industry where many refuse to admit fault.
“I never want to get to a place where I can’t learn,” Franklin affirmed. “No matter my intent, if I become louder than the message of Jesus, then I have failed.”
His journey is a testament to the delicate balance gospel artists must maintain—walking the fine line between authenticity and responsibility while representing their faith in an ever-changing world.
At 54, Kirk Franklin has finally admitted what many have suspected all along: he is imperfect, he has made mistakes, and he is still growing. But through it all, his mission remains unchanged—to bring the gospel to the world, whether inside a church or on the biggest stages in entertainment.
